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presse@artlaboratory-berlin.org
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Next Event:



Artist Talk with Guy Ben-Ary
May 5, 2017, 8PM


Guy Ben-Ary
is an artist and a researcher at Symbiotica (University of Western Australia, Perth) an artistic laboratory dedicated to the research, learning and hands-on engagement with the life sciences. Recognised internationally as a major artist and innovator working across science and media arts, Guy specialises in biotechnological artwork, which aims to enrich our understanding of what it means to be alive. Guy's work focuses on tissue engineering, microscopy and biological imaging. His research explores a number of fundamental themes that underpin the intersection of art and science; namely life and death, cybernetics, and artificial life. Much of Ben-Ary's work is inspired by science and nature. His artworks utilise motion and growth and biological data to investigate technological aspects of today's culture and the re-use of biological materials and technologies.

In his talk Guy Ben-Ary will present some of the methodologies and theories that underpin his artistic practice by using as examples, four of his major projects completed over the last decade:
MEART, The Silent Barrage, In-Potentia, and CellF (see below). He will discuss issues related to terminology, ethics and robotic embodiment as an artistic strategy and his artistic attempt to match bio-engineered neural networks to artistic, robotic bodies.





CellF, a neural synthesizer, will perform with Schneider TM (12 May) and Stine Janvin (13 May) as part of Technosphärenklänge #3 at HKW
12-13 May, 2017

The third edition of the Technosphärenklänge series, produced by the HKW in collaboration with CTM Festival, will present musical projects operating at the border of art and science. Three projects – the world’s first neural synthesizer that performs with human musicians; water droplets levitated and shaped by sound waves; and the interconnection of spatial sound and high-energy lasers – make current notions of materiality tangible and fundamentally re-think the relationship between nature, technology and human consciousness. All three projects require intensive research and constant collaboration between the artists, natural scientists and technologists. The following day, lectures and talks hosted together with Art Laboratory Berlin will explain the research and science behind the performances, and discuss the works’ social implications.
More information

Haus der Kulturen der Welt (HKW) John-Foster-Dulles-Allee 10, 10557 Berlin
12.5.2017 - CONCERTS
19:00 CELLF in performance with Schneider TM
20:00 FORCE FIELD by Evelina Domnitch & Dmitry Gelfand
21:00 LUMIÈRE III by Robert Henke
Tickets 22/18€ reduced

13.5.2017 – TALKS & CONCERTS
15:00–18:00 LECTURES & DISCUSSION with Guy Ben-Ary. Nathan Thompson, Evelina Domnitch & Dmitry Gelfand, Robert Henke. Moderated by Christian de Lutz (Art Laboratory Berlin)
19:00 CELLF in performance with Stíne Janvin
Free entrance


A Projekt of HKW and CTM Festival in cooperation with Art Laboratory Berlin





Most recent exhibition:

Nonhuman Subjectivities: Under-Mine.

Alinta Krauth


Alinta Krauth, Under-Mine, interactive video installation, still from animation (detail), 2017

Vernissage: Saturday 25 February, 2017 at 8PM
Artist talk: 26 February, 2017 at 3PM
Exhibition runs 26 February- 2 April, 2017, Fri -Sun 2-6PM and by appointment

The exhibition project investigates the problematics and possibilities of communicating nonhuman perception through the interface of artistic practice and new technologies. By means of interactive and non-interactive video that use generative and time-based techniques the Australian artist Alinta Krauth considers potential narratives of animals under threat from climate change.

Australian artist Alinta Krauth 's new project Under-Mine (2017) was specially developed for Art Laboratory Berlin. She has used video, generative art, data visualisation and an intensive study into the science of animal perception and cognition to propose narrative paths towards a meeting point of the human and nonhuman. Taking into account that each species' way of sensing the world is unique, and often beyond the ken of human experience, Krauth makes use of a diverse technological toolbox to navigate and translate nonhuman perceptions.

The video installation Under-Mine on the right wall invites the viewers to reflect on four creatures and their attempt to survive a species die-off - the microbat bat, the rock lizard, the woodlouse and the wild horse. This narrative is set out as a timeline: from acceptable climate levels to catastrophic. The viewer navigates the world as the creature undergoing sensory change. The higher the level goes, the more the world becomes confusing, faster or slower, more abstracted. The artist created these computer animations by means of data generated video and sound, hand drawn animation, and digital interactive elements, introducing abstract visual and aural perception as language, interaction with an immersive environment, and a sense-oriented, rather than linear narrative.

The four computer animations on the left wall aesthetically reflect the issues of climate change for each of the four chosen species and their particular types of perception: specifically chosen are echo-locating micro-bats; rock lizards who use chemoreception to identify territories and suitable mates; woodlice, who use their ability to sense humidity as a decision marker for movement and location - this hygroreception is not the only sense they use to control movement, thigmokinesis and phototaxis also play roles; and propriocetion in the case of the Kaimanawa wild horse of New Zealand.

Another digital sketch reflects about further species. There are many other creatures whose senses will be, and are being, affected by the human-made changing climate. Some examples are sea turtles with their ability to return home using magnetoreception. Some species of fish are losing olfactory cues that allow them to forage and sense predators.

For the computer animations Alinta Krauth used a mixture of frame-by-frame animation, time-based code-generated animation, and digital drawing. Due to their computer-generated nature, the original interactive versions will never play the same way twice. They are a conversation between the artist who creates the imagery and sets the parameters, and the computer, which executes those parameters. Accompanying sound is also created by the artist, using a mixture of field recordings, data-generated sound, and postmodern notation techniques for composition.

The project makes use of a tradition of interactive and game related electronic art, which connects the human body to storytelling, but proposes using this to explore the possibilities of inter-species empathy. Through interaction the audience wavers between being a character, a creator, and a viewer. While the artist is well aware that narrative is itself a very human construct, and that any attempt to experience animal perception is bound to be inherently anthropocentric, Under-Mine seeks to push at the boundaries between the human and animal, and dislodge us from our usual subject-object relation to the nonhuman.
-Regine Rapp & Christian de Lutz (curators)

More on the Nonhuman Subjectivities series

Exhibition text as .pdf
art-in-berlin.de, going wrong, turning back, inflexible - Kommunikation mit der nichtmenschlichen Kreatur

ITB Berlin News, Nonhuman Subjetivities: Under-Mine. Alinta Krauth (p.38)




Last Events:


Mycelium Network Society
February 24,2017
Art Laboratory Berlin will be taking part in the discussions at the opening event of the Mycelium Network Society (part of transmediale ever elusive).
silent green Kulturquartier
Gerichtstraße 35
13347 Berlin

 

DIYBio NOW
17 Feb. 7-10PM
18 Feb. 12-8PM
19 Feb. 12-6PM

DIYBio faire Organized by Biotinkering Berlin
The three-day bio-fair brings together the players in the Berlin biohacking scene for a series of hands-on workshops, talks and a special exhibition featuring unique DIY laboratory equipment. The bio-fair focuses on the elusiveness of nature, trying to rebuild the lost connection between humans and the oldest organisms on Earth: bacteria, algae and fungi.


SciArt Café with BIOMOD and iGEM Team Berlin
29 January, 2017 3-6PM



The iGEM Berlin team (http://igem.berlin/) presents their fifth SciArt Café. Under the main theme of "Synthetic Biology - a toolkit for solving humanity's problems" we will hear scientists and artists working with bioscience and afterwards discuss topics of synthetic biology.
1. Nikolaj Koch - Introduction into SynBio, iGEM Berlin 15-17, Using Synthetic Biology to clean our water from microplastics
2. Svenja Nierwetberg - Searching for parasites - Using synthetic biology for diagnostics (iGEM Charité)
3. Prof. Vera Meyer - Fungal Bioart : Combining scientific and artistic approaches in microbiology
4. plus additional talks on biology and the arts

Art Laboratory Berlin's upcoming events for January & February 2017 are part of the Vorspiel programme of the transmediale and CTM 2017





Previous exhibitions and events: (click here)


Publications!

[macro]biologies & [micro]biologies. Art and the Biological Sublime in the 21st Century. Ed. by Regine Rapp & Christian de Lutz, Berlin 2015.
More information
Press release as .pdf

Online Publication:
We are proud to share with you our online-publication of the international interdisciplinary 2-day SYNAESTHESIA-Conference, held by Art Laboratory Berlin in the summer 2013:
Synaesthesia. Discussing a Phenomenon in the Arts, Humanities and (Neuro-)Science



 



Information about Art Laboratory Berlin:
Art Laboratory Berlin (as.PDF)

 


If you have any questions or wish material about the exhibition, please contact
presse@artlaboratory-berlin.org

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