Award for Art Laboratory Berlin

We are very pleased to announce that Art Laboratory Berlin has for the second time been awarded the "Prize for Berlin Project Spaces and Initiatives". We thank this year’s jury and the Berlin Senate Department for Culture and Europe for this great honour.

We consider the award as a validation of our hard work over the last years with exhibitions, seminars, workshops and conferences on current topics in art & science. We are especially thankful to the artists we have worked with, as well as our colleagues and supporters, with whom we were and will be able to realise our projects.

More information: https://www.berlin.de/sen/kultur/en/funding/funding-programmes/visual-arts/artikel.230096.en.php

Nonhuman Agents in Arts & Culture

Nonhuman Agents takes into account recent philosophical approaches which question anthropocentrism. These discourses emphasize the non-human perspectives through object-oriented ontology (Harman and Meillasoux); discuss nonhuman / human encounters (Haraway); postulate a 'posthumanism' (Braidotti); and examine various posthuman performative strategies such as intra-acting (Barad). A new 'de-centring' lets us draw our attention to a reality that can no longer be described in purely anthropocentric parameters.



Workshops & Lectures
Through workshops and lectures, four international artists, living in Berlin, invite the public to think about the non-human by means of selected artistic, performative and scientific methods. Mushrooms, mosses, lichens and bacterial processes, as well as Berlin wetlands, play a central role.

Alanna Lynch | Gut feelings
18 June, 2017

Margherita Pevere | Anatomy of an inter-connected system
15 July, 2017

Theresa Schubert | The forestal psyche
26 & 27 August, 2017

Sarah Hermanutz | ill-at-ease seep
28 October 2017


2-day-Workshop
Heather Barnett + plan b (Sophia New & Daniel Belasco Rogers) | Swarm | Cell | City
23 & 24 September, 2017

This 2-day workhop is a participatory experiment on art, performance and biology that precedes the exhibition Nonhuman Networks. The project invites the participants to view the city of Berlin by the nonhuman perspectives of the intelligent single-cell organism Physarum polycephalum and GPS tracking.

Exhibition
Nonhuman Networks
Heather Barnett
| Saša Spačal with Mirjan Švagelj & Anil Podgornik
Opening: 29 September, 2017 | Exhibition runs: 30 September - 26 November, 2017


Saša Spačal, Mirjan Švagelj und Anil Podgornik, Myconnect, Installation, 2014

The exhibition presents an aesthetics of new forms of communication between human and non-human actors. How does the world's largest single celled creature function as a computer? Can we tap into the so-called 'Internet of trees'? Performative works act as enablers for the audience to engage in non-linguistic forms of awareness and contact with several deceptively simple life forms.


Interdisciplinary Conference
Nonhuman Agents in Art, Culture and Theory

24-26 November, 2017

Finally, an interdisciplinary conference will bring together international artists, scholars, and natural scientists from different disciplines to discuss artistic, philosophical, ethical and scientific approaches to nonhuman agents. The previous positions from the Nonhuman Subjectivities series will also be taken into account.

With the generous support of:




Last Events:



Artist Talk with Guy Ben-Ary
May 5, 2017, 8PM
Entry 5€/3€


Guy Ben-Ary
is an artist and a researcher at Symbiotica (University of Western Australia, Perth) an artistic laboratory dedicated to the research, learning and hands-on engagement with the life sciences. Recognised internationally as a major artist and innovator working across science and media arts, Guy specialises in biotechnological artwork, which aims to enrich our understanding of what it means to be alive. Guy's work focuses on tissue engineering, microscopy and biological imaging. His research explores a number of fundamental themes that underpin the intersection of art and science; namely life and death, cybernetics, and artificial life. Much of Ben-Ary's work is inspired by science and nature. His artworks utilise motion and growth and biological data to investigate technological aspects of today's culture and the re-use of biological materials and technologies.

In his talk Guy Ben-Ary will present some of the methodologies and theories that underpin his artistic practice by using as examples, four of his major projects completed over the last decade:
MEART, The Silent Barrage, In-Potentia, and CellF (see below). He will discuss issues related to terminology, ethics and robotic embodiment as an artistic strategy and his artistic attempt to match bio-engineered neural networks to artistic, robotic bodies.




CellF
, a neural synthesizer, in performance with Schneider TM (12 May) and Stine Janvin (13 May) as
part of Technosphärenklänge #3 at HKW
12-13 May, 2017

The third edition of the Technosphärenklänge series, produced by the HKW in collaboration with CTM Festival, will present musical projects operating at the border of art and science. Three projects – the world’s first neural synthesizer that performs with human musicians; water droplets levitated and shaped by sound waves; and the interconnection of spatial sound and high-energy lasers – make current notions of materiality tangible and fundamentally re-think the relationship between nature, technology and human consciousness. All three projects require intensive research and constant collaboration between the artists, natural scientists and technologists. The following day, lectures and talks hosted together with Art Laboratory Berlin will explain the research and science behind the performances, and discuss the works’ social implications.
More information

Haus der Kulturen der Welt (HKW) John-Foster-Dulles-Allee 10, 10557 Berlin
12.5.2017 - CONCERTS
19:00 CELLF in performance with Schneider TM
20:00 FORCE FIELD by Evelina Domnitch & Dmitry Gelfand
21:00 LUMIÈRE III by Robert Henke
Tickets 22/18€ reduced

13.5.2017 – TALKS & CONCERTS
15:00–18:00 LECTURES & DISCUSSION with Guy Ben-Ary. Nathan Thompson, Evelina Domnitch & Dmitry Gelfand, Robert Henke. Moderated by Christian de Lutz (Art Laboratory Berlin)
18:00 CELLF in performance with Stíne Janvin
Free entrance

A project of the HKW and CTM Festival in cooperation with Art Laboratory Berlin



 

Most recent exhibition:

Nonhuman Subjectivities: Under-Mine.

Alinta Krauth


Alinta Krauth, Under-Mine, interactive video installation, Still from animation, 2017

Opening: Saturday 25 February, 2017 at 8PM
Artist talk on 26 February, 2017 at 3PM
Exhibition runs 26 February- 2 April, 2017, Fri -Sun 2-6PM and by appointment


The exhibition project investigates the problematics and possibilities of communicating nonhuman perception through the interface of artistic practice and new technologies. By means of interactive and non-interactive video that use generative and time-based techniques the Australian artist Alinta Krauth considers potential narratives of animals under threat from climate change.

Alinta Krauth's new project Under-Mine (2017), especially developed for Art Laboratory Berlin, uses video, generative art, data visualisation and an intensive study into the science of animal perception and cognition to propose narrative paths towards a meeting point of the human and nonhuman. Taking into account that each species' way of sensing the world is unique, and often beyond the ken of human experience, Krauth makes use of a diverse technological toolbox to navigate and translate nonhuman perceptions.

By means of data generated video and sound, hand drawn animation, and digital interactive elements, Krauth creates four 'narratives' - bat, wild horse, woodlouse, and rock lizard - that follow a similar plot line: the attempt to survive a species die-off. The artist introduces abstract visual and aural perception as language, interaction with an immersive environment, and a sense-oriented, rather than linear narrative. In her own words she discerns that "one way to tell a narrative of, or for, a nonhuman animal is to consider the senses that are stronger in other species than in humans, for example echolocation, magnetoreception, hygroreception, chemoreception, and possibly proprioception."

The project makes use of a tradition of interactive and game related electronic art, which connects the human body to storytelling, but proposes using this to explore the possibilities of inter-species empathy. Through interaction the audience wavers between being a character, a creator, and a viewer. While the artist is well aware that narrative is itself a very human construct, and that any attempt to experience animal perception is bound to be inherently anthropocentric, Under-Mine seeks to push at the boundaries between the human and animal, and dislodge us from our usual subject-object relation to the nonhuman. (More information)
-Regine Rapp & Christian de Lutz (curators)



More on the Nonhuman Subjectivities series




Information on the [macro]biologies & [micro]biologies series from 2014-15 here...


Publications!

We are glad to announce our new publication:
[macro]biologies & [micro]biologies. Art and the Biological Sublime in the 21st Century.
Ed. by Regine Rapp & Christian de Lutz, Berlin 2015

More information here...


Online publication:

We are proud to share with you our online-publication of the international interdisciplinary 2-day SYNAESTHESIA-Conference, held by Art Laboratory Berlin in the summer 2013:

Synaesthesia. Discussing a Phenomenon in the Arts, Humanities and (Neuro-)Science

Art Laboratory Berlin is grateful for the permanent support of:

 

Previous cooperation partners